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It is a universally recognized truth that a little baby with chubby fingers must need a hardback book. Little known as the feelings or opinions of such a baby are when they first enter the world, this truth is so deeply ingrained in the minds of surrounding families that they are considered to be the rightful recipient of some or all. other volumes.
By what, of course, I mean babies love hardback books, and you, the hardback buyer, have the delightful task of choosing exactly which hardback books. You can choose an old watch, of course, maybe Good night, good night Site of the tenant farm Where Guess how much i left you a year, but why waste this chance to instill in your favorite baby a true love of the classics.
And, obviously, by classics I mean the work of the universally beloved Jane Austen who is perhaps the only author that exists, and it is clear that the work I am talking about is Pride and Prejudice, the only literary work worthy of adaptation.
The trend to adapt classic literature into a hardback format seems to have started with Jennifer Adams and her BabyLit line with her publisher, Gibbs-Smith, in 2011. She, of course, was started with Pride and prejudice: a starting point for counting, in the same way Romeo and Juliet: a starting point for counting, which was inspired by a man named William Shakespeare (?), who appears to have written several plays. An inferior art form, yes, but we have to allow even the common people to have fun.
In each of the logbooks listed below, the authors have chosen a different approach in their adaptation. Some focused on history, others used history to teach children important concepts and others, shock and horror, used history to make jokes. Jokes. Of our important literature. What total play.
To help savvy shoppers find the best Pride and Prejudice adaptation, I ranked them from least faithful to most faithful. Note that this is not necessarily a quality award, as all of these books are honorable attempts to enlighten our younger pre-readers.
As stated above, the only literary work that one needs, and therefore the only literary work that ever needs to be adapted, is Pride and Prejudice, but if the authors below have deigned to adapt another work by Austen, I have noted it in the description.
Pride and Prejudice: A Starter for Counting by Jennifer Adams and Alison Oliver
As Ms. Adams invented the form, it pains me to classify her first book as “the least faithful”, but my allegiances must rest with you, the buyer. The simplicity of this alphabet book means Ms. Adams has less room to tell our favorite story, but that same simplicity makes it ideal for our smallest children. While our precious angels, so new to this earth, might not be able to comprehend the intricacies of Austen’s brilliant prose, it won’t be long before their faces light up with joy at ideas such as ” 2 rich gentlemen “and” 4 marriage proposals. (Ms Adams also wrote Emma: an introduction to emotions and Sense & Sensibility: an introduction to opposites)
Pride and Prejudice: Comfortable Classics by Jack Wang and Holman Wang
You might think that the parsimony of the text would have led me to classify this book as less faithful than others, but, in fact, this same parsimony of the text allows the illustrations to shine. While each page lists just one word, you’re taken to photographs of remarkably detailed felt sculptures by Elizabeth Bennet, Fitzwilliam Darcy, and more. As someone who doesn’t go to the movies often and actually only saw one movie and, of course, a really long BBC miniseries, I found the likeness of the little person felted with Matthew Macfadyen quite remarkable, bordering on miraculous. Anyone who can convey quiet desire and long suffering with a little sheep’s wool is to be commended. (The team of writers and illustrators Jack Wang and Holman Wang also produced an adaptation of Emma.)
Good Night Mr. Darcy by Kate Coombs and Alli Arnold
This delicious book calls itself a parody rather than an adaptation. While I agree this isn’t a full adaptation, it’s quite calming and wishing all of our favorite characters and locations a “good night”. “Good night full of hope / good night pretty / good night beautiful eyes / and good night full of spirit.” What poetry! On our book. I mean Jane Austen’s book, of course. I’ll buy a copy every night of the week to read before bed. To imagine! Me, owning a second book.
Pride & Prejudice & Math by Misti Kenison
The description of this book spends a lot of energy bragging that it is STEAM-based, leading some of our audience to believe that it is powered in the same way as the locomotions that now ply our beautiful countryside, but it appears to be an acronym that refers to the same math that is referenced in the title! This book uses mathematical concepts to explain somewhat more in-depth concepts of the book’s plot, for example: “Mrs. Bennet had 5 daughters at home, until Lydia ran away. Now she has 4 daughters at home ”and“ Pemberley is a bigger house than Longborne. Sad truths, some, but truths all the same.
Pride and Prejudice: Lit for the Little Hands of Brooke Jorden
Now, if you take the text and illustrations at face value, well, that’s a pretty neat little adaptation! The characters receive that of Jane Austen own words talk, and that comes with an abridged version of the story for young readers. I am afraid, however, that the additional features in this book, well, they make me think. There’s a lot pulling and scramble, well, these things just aren’t done. In fact, on the very cover of the book there is a mechanism that allows the reader to push our own Elizabeth Bennett toward Mr. Darcy in something that looks like a hug! While other elements are quite charming, like a fold-out letter that lets you read Mr. Darcy’s letter to Elizabeth, and a spinning wheel that, on one side, lets you spin dancers at a ball, while that the other side lets you read more dialogue written by Austen, I just can’t support anything that encourages such lapses of decorum. Dear me.
Pride and Prejudice: A Babylit Storybook by Stephanie Clarkson and Annabelle Tempest
Ah yes, Babylit, we meet again. They invented the format, and they mastered it. While their line of primers gives the smallest of our children a taste of the major works of literature, their line of storybooks shares our beloved stories with these young people whose attention spans have gone. extended beyond short lists of items sorted by number or color. This 30-page hardcover book has enough room to explore the intricacies of the saga, and Anabelle Tempest’s whimsical illustrations add a bit of fun, but not too much, to this pleasant story. As in other adaptations, the illustrated characters are given Jane Austen’s own words in quaint speech bubbles. It’s a worthy tale, and one that I’m sure will have dozens of moppets congregate around your knee, eager to hear this, the finest story the English language has to offer.
I hope you have found this list of logbook adaptations useful as you work to educate the bantlings in your charge. I myself was quite energized by this walk through the lower shelves of the library and was inspired to expand my own literary horizons. Maybe even tomorrow I’ll find myself a new book. After reviewing the vast options available, I chose – what else? – Sense & Sensitivity.